By Michael Taylor | ThaWilsonBlock Magazine The question of who qualifies for American citizenship is not just a moral or political debate — it is a constitutional one. For over a century, courts and executive agencies have applied birthright citizenship in a way that defies the intent of the 14th Amendment and undermines Congress’s constitutional authority. This practice, particularly as it applies to children born to undocumented immigrants, raises a serious challenge: > Can individuals derive irrevocable constitutional benefits from ongoing unlawful presence? And if not, why has the judiciary allowed it? This question strikes at the heart of the rule of law. The answer lies in decades of misinterpretation, judicial drift, and administrative neglect. The issue is not emotional. It is structural. And it belongs squarely with Congress, not the courts or the White House. --- 🔎 The 14th Amendment’s Soft Spot: Jurisdiction The 14th Amendment states: > “All persons born ...
Tha Dogg Pound is a renown hip hop duo consisting of Long Beach emcee/producer Daz Dillinger & Philadelphia emcee Kurupt. I really shouldn’t have to say much about their 1995 full-length debut Dogg Food since it’s widely recognized as one of the last great albums that Death Row Records ever put out. They’ve gone on to release some music here & there since but just 11 years after their last album 100 Wayz, they’re reuniting for their 8th full-length album.
“Ghetto” kicks things off with a chilled out depiction of having bills to pay & them doing fine whereas “We Rollin’” goes into a funkier direction with them stuntin’. “Dissolution of Marriage” is a calmer tune talking about just that, but then “Used 2” follows it up going into a more depressive tone.
Meanwhile on “Bottom Bitch”, we get a classy theme for all the pimps out there right before Snoop Dogg comes into the picture for spacey sex anthem “Nice & Slow”. The highnamic trio stick around for the g-funk thug anthem “Skip Skip” prior to going back to the romance tip on the atmospheric “Baby I Want U Bac”.
“It Ain’t Nuthin’” is an auto-tune trap ballad talking about smoking in an old school Chevy while “I’m On It” with Soopafly works in some snares & squeaking synths to talk about being hustlas. The song “Let’s Roll” serves as a melodic cut talking about partying with their ladies while the penultimate track “Hood Girl” brings in some keys to talk about their taste in women. Then they put the feel-good West Coast tribute “LA Here’s to U” off of Kurupt’s 2013 sophomore mixtape Money, Bitches, Power for the closer.
We’ve had to wait a little over decade for Dillinger & Young Gotti to reunite in a full-length capacity. The end results are a bit of mixed bag for me personally. I think the lovey dovey shit sounds forced even though “Let’s Play House” is one of my favorites all-time favorite DPG songs but when they’re on their g shit, it sounds more natural.
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