ThaWilsonBlock Magazine

Justice the Artiste Rewrites the Rules of Jamaican Music with “Call On Me”

Violent J of Insane Clown Posse Set to Return to GCW at The People vs. GCW PPV Tonight

Choco Valens Drops New Single “Chicken Nuggets & Weed” Featuring X1t & Darianthc

Jamie Madrox Taps in With Grady Finch for Debut Solo Single “Fairy Tale”

Scum Pays Off a Couple “IOUz” (Album Review)

The Gloom Unit Are Coming Heavier on “Come Heavy II: Mo Heavy” (EP Review)

Shabazz The Disciple Drops “The Writing’s On The Wall” With Ed Nodz Behind the Boards (Album Review)

One Man Kru’s 3rd LP “Overthrowing the Underground” Doesn’t Hold Up to It’s Predecessor 7 Years Ago (Album Review)

Violent J of Insane Clown Posse Debuts 2025 Premiere Episode of Popular “JCW Lunacy” Webseries, Announces 3-Date “JCW Lunacy” Tour in March

Jae Skeese Puts in “40 Hours” to Start the New Year for Drumwork (EP Review)

Chad L. Connects With Producer LilBraiBrai For Latast Single “Pockets”

Rhyme Assassin Unleashes the Cinematic Visuals for His Street Anthem “Run EmUp (Told Ya) f/ M.O.P. & Ruste Juxx 

“Dump Gawd: Hyperbolic Time Chamber Rap 4” is the Most Sonically Varied of Tha God Fahim & Nicholas Craven’s EP Saga (EP Review)

Ant Drops Two New Singles from ‘Collection of Sounds Vol. 3’ – “Hello Darlings” b/w “Just A Business”

Wildcard Drops New Video “The January Flame,” Prod. By Johnny Slash, Chronicling The Dark Side Of Suburbia

Novatore Cohesively Tackles “Agoraphobia” (Album Review)

Eddie Kaine & Rim’s 3rd Collab Project “Welcome to Stuyville” Prod. by Camoflauge Monk & 38 Spesh Proves to Be the Strongest (Album Review)

JOHN JIGG$ – “I Can’t Wait” | MIC SESSION

Brooklyn’s Very Own Elvin Dale Drops New Album “The Dark in Me See the Dark in You”

Michigan’s Jhiakhana Drops New Visualizer For “MISTAAA Simms”

Mr. B Drops His Latest Single “GO”