ThaWilsonBlock Magazine

Heartbreak Fuels Self-Discovery in Tommy Marsh’s Latest, “Ladies”

Ty Farris’ 4th EP “Timing of a Tarantula” is One for the Core Fans (EP Review)

Crimeapple Plays Poet & Philosopher on 15th LP “This, Is Not That” Prod. by Apollo Brown (Album Review)

William Bostick Produces Sam R I’s Debut Album “12 Monkeys” (Album Review)

Ki Bohiti of 7Triiibes Drops Anticipated New Project “The Anteiku Tapes, Vol. 2”

TCOOPMIA Returns With New EP "What’s Next?"

Young Malk – “Marinara” | MIC SESSION

Spend Black Friday Weekend with Insane Clown Posse for their JCW Spanksgiving Pay-Per-View

Nowaah the Flood & Stu Bangas Lay Out Their “Plans of the Diligent” (EP Review)

Jamie Madrox Introduces The Great Skull & the Graybow on His 3rd Solo LP “The November Brain” (Album Review)

”Keep Me Company” Shows Skyzoo at His Most Vulnerable (Album Review)

RichKiidNick Unveils His Versatility and True Emotions in New Single “OCEAN EYES” Dropping December 3, 2024

Mickey Diamond’s Most Ambitious Album Yet “Gucci Gambinos” Prod. by Big Ghost Ltd. Gives Flowers to “Only Built 4 Cuban Linx…” (Album Review)

Carson, CA Rapper Natural Drops New Single “is it real that way?”

Body Count Makes a “Merciless” Return (Album Review)

Ice Cube Dedicates His 11th Album “Man Down” to His Day 1s (Album Review)

Skribbal’s 4th Album “Electric Lungs” Marks an Exhilarating Stylistic Departure (Album Review)

Boldy James Teaches Lessons From “The Bricktionary” Prod. by Harry Fraud (Album Review)