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Ouija Macc & Darby O’Trill’s Collab Album “Anemoia” Makes the Future, Past & Present Become 1 (Album Review)

B.A.R.S. Murre’s 5th LP “Jewelry Store Shootouts” Refines Himself Artistically (Album Review)

“Connecticut Casual 2” Changes the Outlook of Apathy’s Career (Album Review)

KING CANGIN Drops Highly Anticipated Album “Knee Deep in Beats”

Hope Is Music Drops New Single “LA VIDA” Featuring Zzay, Zenaloa & Soul.Dope.95

South Central LA Rapper J.Outlaw Drops New Single “Committed To The Hustle Pt.3 Light Up The Room”

Reuben Vincent’s 2nd EP “General Admission” is His Most Introspective Work (EP Review)

"Christianity" Was Never In The Bible | Gino Jennings

MACA "I KNOW WHERE YOU KNOW ME FROM" #pasadenamusicscene

Stetsasonic Returns to Form on “Here We Go Again”, First New Album in Over 30 Years (Album Review)

“Super Shredder” Takes Everything That Made Mickey Diamond & Ral Duke’s “Oroku Saki” EP to New Levels (Album Review)

Marv Won Releases Soul-Baring Mello Music Group Debut “I’m Fine, Thanks for Asking. (Album Review)

The Musalini & Cookin’ Soul Got the “Mackaroni” (EP Review)

Doing Hooks For All Pasadena Artists | Kneight Hooks #pasadenamusicscene

The Inspiration Behind The Alias | Kneight Hooks #pasadenamusicscene


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