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Superior Court of California: A Bureaucracy United Against One Defendant (Admonition to The Democratic Party)

by WilsonBlock1000 Radio - June 09, 2025

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Steve Winwood - PBS Soundstage, WTTW Studios, Chicago, IL, 8-27-2004

Here's another episode from that great TV show, "PBS Soundstage." This time, it stars Steve Winwood. In 2003, Winwood released the studio album "About Time." Despite this concert taking place about a year after the release, he was still touring to support that album. So four of the songs performed come from that album: "Different Light," "Bully," "Walking On," and "Why Can't We Live Together." None of the songs from that album were a hit, so it's possible you might not know them. However, "Why Can't We Live Together" is a cover of a soul hit in the 1970s by Timmy Thomas. Otherwise, he played some songs from his time with Blind Faith and Traffic in the 1960s and 70s, plus only one of his big solo hits from the 1980s ("Back in the High Life Again"). Typical episodes of this show were an hour long. However, this episode is close to an hour and a half long. That's because a DVD was relea...

Why Birthright Citizenship Is a Legislative Matter—Not Judicial or Executive

By Michael Taylor | ThaWilsonBlock Magazine The question of who qualifies for American citizenship is not just a moral or political debate — it is a constitutional one. For over a century, courts and executive agencies have applied birthright citizenship in a way that defies the intent of the 14th Amendment and undermines Congress’s constitutional authority. This practice, particularly as it applies to children born to undocumented immigrants, raises a serious challenge: > Can individuals derive irrevocable constitutional benefits from ongoing unlawful presence? And if not, why has the judiciary allowed it? This question strikes at the heart of the rule of law. The answer lies in decades of misinterpretation, judicial drift, and administrative neglect. The issue is not emotional. It is structural. And it belongs squarely with Congress, not the courts or the White House. --- 🔎 The 14th Amendment’s Soft Spot: Jurisdiction The 14th Amendment states: > “All persons born ...

Don McLean - BBC Sessions, Volume 3: In Concert, Royal Albert Hall, London, Britain, 10-15-1973

Here's another album of singer-songwriter Don McLean performing for the BBC. This time, it's another acoustic concert, just like "Volume 2" was. If you look at the BBC website, there's a page for this concert that shows a 45 minute concert. This is not that. Unfortunately, that link is dead and probably has been for years. However, I was able to cobble together enough for an album from other sources. No doubt there's a lot of overlap with that BBC broadcast, but it's possible some songs here are from the part of a longer concert that didn't make the 45 minute broadcast version. Beware, because the sound quality varies a lot, due to different sourcing. The best sounding songs are tracks 6, 7, and 8. These are the only officially released ones, from the archival collection "Favorites and Rarities." Of the rest, a couple of the songs came from YouTube. Those have the poorest quality. But most of the rest came from a Don McLean super fan, who s...

Chad Agrees to Host Sudanese Cert. Exams This Year

26/06/2025 18:22 N'DJAMENA / ATBARA Secondary school students sitting for their final exams, September 2020 (File photo: Supplied) The Chadian government has agreed to allow approximately 10,000 Sudanese students currently residing in eastern Chad to sit for their secondary school certificate exams on its territory. Chad’s refusal to host the exams last year caused widespread frustration among thousands of displaced students and their families. In a post on X, Darfur Governor Minni Minawi confirmed that Chad will be holding Sudanese state exams this year, hosting refugee students from Darfur and those attending Sudanese friendship schools in Chad. He praised the United Nations Children’s Fund (UNICEF) for handling all logistical work related to delivering and administering the exams. Chadian media reported that President Mahamat Idriss Déby gave his preliminary approval during a meeting with the Sudanese chargé d’affaires in N’Djamena, Ahmed Jamal. Minawi had previously app...

Silence Speaks Volumes: Sydney Kamlager-Dove’s Deflection in the Face of Judicial Fraud

By ThaWilsonBlock Magazine Staff In a time when public trust in institutions continues to erode, elected officials are called to be more than symbolic placeholders. They are expected to act, especially when constitutional violations are brought to their doorstep. In the case of Congresswoman Sydney Kamlager-Dove, her silence and sidestepping of a civil rights crisis unfolding in her own backyard is not only alarming — it may be indicative of a much deeper rot within her party’s approach to justice reform. 📂 The Record Speaks for Itself On May 15, 2025, Michael Bernard J. Taylor submitted a detailed Privacy Release Form to Rep. Kamlager-Dove’s office. The communication wasn’t vague — it cited wrongful hospitalization, a fraudulent Penal Code 730 mental health evaluation conducted without a court order, and multiple violations of his First, Fourth, Sixth, and Fourteenth Amendment rights. The request wasn’t for political lip service. It was for urgent federal intervention, a TRO, and sup...

Ghana’s Digital Finance Evolution Transforms Banking Access

Ghana’s Digital Finance Evolution Transforms Banking Access By News Ghana June 29, 2025 Ghana’s financial sector has undergone radical digitization since pioneering payment innovations emerged in the mid-1990s. According to banking records, Meridian Bank introduced the nation’s first debit card in 1994, followed by Standard Chartered’s entry in June that year. Barclays Bank accelerated the shift in 1995 with its Barclay Cash Card. These innovations began replacing cash-dependent transactions during an era when bank queues dominated daily routines. The transformation deepened in 1997 when Social Security Bank (now Societe Generale Ghana) launched the Sika Card. This payment solution introduced unprecedented cashless convenience, though digital transfers remained technologically unfeasible at the time. The Bank of Ghana established critical infrastructure in 2007 through GHIPSS (Ghana Interbank Payments and Settlement System), creating integrated processing for cheques, cards...

Osamu Shoji's Jataka from 1978 [FLACs]

Osamu Shoji: Japanese composer, arranger and synthesizer player. Born September 6, 1932. Died April 30, 2018. Related entity: Shoji Studio . With regards to Jataka released in 1978 you can observe from this page it seems to be all composed and played by him, similar to artists like Wendy Carlos . So far as I can tell it's also different from the remainder of his output in that it's not made up of cover songs. Overall it's similar to my beloved Fumitaka Anzai work posted back here, but not as creative and progressive, more of the standard electronic synthesizer fiddling. Title track gives you an idea: source https://progressreview.blogspot.com/2025/06/osamu-shojis-jataka-from-1978-flacs.html

Texas International Pop Festival, Dallas International Motor Speedway, Lewisville, TX, 9-1-1969, Part 10: Sly & the Family Stone

Finally, we come to the tenth and last album from the third and last day of the 1969 Texas International Pop Festival. The closing act was Sly and the Family Stone. Like fellow festival stars Janis Joplin and Johnny Winter, Sly Stone was born in Texas. In fact, he was born quite close to the festival, on the outskirts of Dallas, just as the festival was on the outskirts of the city. However, the media didn't notice this. That's probably because he moved with his family to the San Francisco Bay area by the time he was a teenager. In 1969, Sly and the Family Stone hit it big, with multiple hits that year. Even as the festival was going on, one of their songs, "Hot Fun in the Summertime," was Number Two in the U.S. charts. That was fitting, since the festival took place at the tail end of summer, and it was very hot for all three days. Sly Stone was notorious for going on stage late, if he managed to make it at all, often due to heavy drug use. That was a problem w...

$uicideboy$ Announce Ramirez’ Departure From G*59 Record$

San Francisco, California dark trap MC & songwriter Ramirez was the very first person that the $uicideboy$ consisting of Ruby da Cherry & $crim had ever signed to G*59 Record$ . Moments ago, the boy$ announced that Ramirez has departed from G*59 to form his own imprint Velvet Note Records distributed by EMPIRE going forward. We wish him all best on his future endeavors & thank him for being so integral to the New Orleans based label. Share on Facebook Share on Twitter Share on Reddit Share on Pinterest Share on Email

Mark Ant & DET Presents MAXDET: A Monumental Collaboration Under Roc Nation Distribution (Album Review)

The underground meets the majors in MAXDET , a powerhouse collaborative album by Flint, Michigan’s lyrical heavyweight Mark Ant & Super-producer DET released via Roc Nation Distribution . DET known for his gritty, emotionally grounded production and work with rising stars across the Midwest and beyond, DET brings his signature sound with Mark Ant to the forefront in this tightly curated project. DET, whose credits include “Sixes and Fives” (feat. Courtney Bell & REASON) , “Winter on Mason” , and “RMC Don” with RMC Mike & Trap-A-Holics , has built a reputation for blending haunting sample work with speaker-knocking drums—anchoring artists in raw, story-driven authenticity. MAXDET doesn’t just showcase DET’s sonic range—it’s a statement. The album bridges lyrical depth with street wisdom, pairing seasoned spitter Mark Ant’s voice, all wrapped in DET’s polished yet rugged sound. The chemistry is undeniable, the sequencing intentional, and the energy consistent from fron...