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Who Defined “Jewish”? The Deeper Battle Over Identity and Divine Authority By: Michael Taylor | ThaWilsonBlock Magazine In today’s world of rewritten truths and rebranded identities, few topics are more misunderstood—or more manipulated—than the question: Who is a Jew? For centuries, institutions, cultures, and religious authorities have claimed the right to define Jewishness. But beneath the noise of tradition and politics lies a deeper issue—a spiritual one. Because the question isn't just how “Jewish” is defined. The real question is: Who or what has the authority to define it in the first place? --- The Origin of the Covenant When we go back to the beginning, the answer is simple and undeniable. The Most High—YHWH—established a covenant with Abraham, reaffirmed it through Isaac, and fulfilled it through Jacob, who was renamed Israel. The covenant was not based on culture or customs. It was based on divine election and lineage. > “I will establish my covenant betw...

Homeboy Sandman & Aesop Rock – “anjelitu” (EP Review)

Homeboy Sandman is a 40 year old MC from Queens, New York who came to my attention when he dropped his 4th album albeit his Stones Throw Records debut 1st of a Living Breed almost 9 years ago at this point. The dude would go on to drop 3 more full-lengths & 7 EPs with them before jumping ship to Mello Music Group in 2019. His first album on the label Dusty was alright, but the Quelle Chris-produced Don’t Feed the Monster. that came out last October was much better. But after forming the duo Lice with local wordsmith Aesop Rock & dropping 3 EPs together, we’re actually getting a change of pace as Sandman’s letting Aes produced his 8th EP from front to back.

“Go Hard” is a charismatic opener about being in beast mode with some guitar licks whereas “West Coast” is a g-funk banger with references to “Hail Mary” & “Hand on the Pump”. Meanwhile on “F.Y.I. (For Your Information)”, we go into a bit of a rock direction for Sandman to talk about how he’s still dope after a decade just before continuing to bust into a more speedier flow on “Cow’s Milk” & the beat on here is kin to 70’s exploitation films. The penultimate track “No Beef” is a powerful vegetarianism anthem & the closer “Lice, Lice Baby” works in a piano instrumental possibly preluding Lice 4.

I think Anjelitu has to be my favorite project that Sandman has dropped under MMG so far, although I do enjoy the vulnerability of Don’t Feed the Monster. It’s really interesting to hear him put his own spin on the whole yin/yang concept in Ancient Chinese philosophy & it just goes to show that we don’t talk about Aes’ production skills as much as his massive vocabulary.

Score: 8/10



source https://undergroundhiphopblog.com/albums/homeboy-sandman-aesop-rock-anjelitu-ep-review/

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