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Unmasking Injustice: The Case of Devon T. White

Unmasking Injustice: The Case of Devon T. White How a Pasadena Courtroom Became the Epicenter of Alleged Constitutional Violations and Human Rights Abuses The Case at a Glance Defendant: Devon T. White Case Number: GA101707-01 Court: Superior Court of Los Angeles County, Pasadena Courthouse Presiding Judge: Michael D. Carter Deputy District Attorney: David Ayvazian Public Defender: Vito Curso What should have been a straightforward exercise in justice has evolved into a troubling example of alleged constitutional violations, professional misconduct, and human rights abuses—raising serious questions about the integrity of the very systems designed to protect us. A Disturbing Allegation of Conspiracy In a deeply concerning turn, it is alleged that Judge Michael D. Carter, Deputy District Attorney David Ayvazian, and Public Defender Vito Curso conspired to sustain an unlawful conviction and imprisonment of Devon T. White. This trio, by allegedly colluding to maintain a void ju...

John Leguizamo to Present Hip-Hop Inspired Play ‘Othello: The Remix’

The 52-year-old actor is no stranger to adapted plays since he’s already taken on roles in reimagined plays for two adapted films, Moulin Rouge! and Romeo + Juliet. Now with his 80-minute spin on Shakespeare’s tragedy, Leguizamo will be back at it again at New York City’s Westside Theatre. And he’s letting other actors get their shine: GQ and JQ, who also wrote, composed and directed the play, will take on the roles of Iago/Brabantio and Roderigo/Loco Vito/Bianca, respectively. Postell Pringle will play Othello, while Jackson Doran will take on the role of Cassio/Emilia. Not sure yet who will play Othello’s wife, Desdemona. In a promo clip for the show, Leguizamo shared that the show is for fans of hip-hop and Shakespeare. “If you love hip-hop like my kids do and if you love Shakespeare like I do then you’re going to love this show,” said the actor. However, the official website promises that Othello: The Remix will be an “exuberant spin on Shakespeare’s tragic tale proving that the Bard himself was the original master of rhythm and rhyme.” 

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