Unmasking Injustice: The Case of Devon T. White How a Pasadena Courtroom Became the Epicenter of Alleged Constitutional Violations and Human Rights Abuses The Case at a Glance Defendant: Devon T. White Case Number: GA101707-01 Court: Superior Court of Los Angeles County, Pasadena Courthouse Presiding Judge: Michael D. Carter Deputy District Attorney: David Ayvazian Public Defender: Vito Curso What should have been a straightforward exercise in justice has evolved into a troubling example of alleged constitutional violations, professional misconduct, and human rights abuses—raising serious questions about the integrity of the very systems designed to protect us. A Disturbing Allegation of Conspiracy In a deeply concerning turn, it is alleged that Judge Michael D. Carter, Deputy District Attorney David Ayvazian, and Public Defender Vito Curso conspired to sustain an unlawful conviction and imprisonment of Devon T. White. This trio, by allegedly colluding to maintain a void ju...
After the intro, the first song “No Restraint” featuring Lord Goat is this boom bap opener with both of them showing off their top notch lyricism whereas “Blood Pies” delivers further down a morbid atmosphere talking about murdering those who can’t compete. After the “Voicemail” skit, the title track featuring Termanology works in more kicks & snares pleading to be taken out the house prior “Knives” featuring Jak Tripper bringing it hardcore for 2 & a half minutes.
“Piano Man” hops over a piano-driven boom bap beat hence the title admitting that he barely leaves the house likening himself to that of a black widow while “Blacksmith” featuring King Magnetic & Recognize Ali finds the trio aggressively boasting that their pens are sharper than ever before. The grisly “Water Shadows” laughs off anyone who comes at them without any skill & finally, “Killer Instinct” ends Agoraphobia by angrily talking about his murderous tendencies.
Loosely basing it’s concept around the fear of leaving one’s home, Novatore’s follow-up to The 87 Arsonist remembers the late Cast Gawd after he was killed in the middle of a shootout with the Arizona police department last spring by giving the underground another reason as to why he fits in so well on the Goon MuSick roster. Brenx’ production here is on par with its predecessor rooted in the traditional boom bap sound, I like that he got lesser guests & even the cohesiveness in general.
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