By Michael Taylor | ThaWilsonBlock Magazine The question of who qualifies for American citizenship is not just a moral or political debate — it is a constitutional one. For over a century, courts and executive agencies have applied birthright citizenship in a way that defies the intent of the 14th Amendment and undermines Congress’s constitutional authority. This practice, particularly as it applies to children born to undocumented immigrants, raises a serious challenge: > Can individuals derive irrevocable constitutional benefits from ongoing unlawful presence? And if not, why has the judiciary allowed it? This question strikes at the heart of the rule of law. The answer lies in decades of misinterpretation, judicial drift, and administrative neglect. The issue is not emotional. It is structural. And it belongs squarely with Congress, not the courts or the White House. --- 🔎 The 14th Amendment’s Soft Spot: Jurisdiction The 14th Amendment states: > “All persons born ...
Tha God Fahim & Nicholas Craven End 2024 Strong with 3rd Installment of “Dump Gawd: Hyperbolic Time Chamber Rap” Trilogy (EP Review)
“The Intent of Vengeance” kicks off Hyperbolic Time Chamber Rap 3 with a soulful boom bap instrumental talking about having to get right because shit could possibly change tonight whereas “Bullet Proof Confidence” works in some keys, kicks & snares flexing that his self-assurance is indestructible. The piano sample on “Senzu” feels reminiscent to “On My Block” by Scarface to talk about him still having it lyrically just before “Not for Sale” wants to know if you’re a foe or friend to him.
Getting the other half going, “Heavy Handed” brings a soulfully dusty flare back to the table comparing his longevity to current Los Angeles Lakers player LeBron James while “Kumite” Keeps it in the basement instrumentally promising to waste y’all like it’s Grand Theft Auto. “Makankosappo” ruggedly promised to take everyone’s words regarding him & making them eat ‘em at the end leading into “A Step Further” closing it out telling everyone to be good sports watching him making half court shots.
Ending his 2024 with a bang, the Dump Gawd teases big things coming down the pipe throughout 2025 by completing another trilogy of projects with one of the greatest producers of this current decade firstly. Nicholas Craven’s production carries on the boom bap emphasis both prior installments of the Hyperbolic Time Chamber Rap series had put on themselves 6-7 weeks ago & Fahim outdoes himself from a lyrical standpoint.
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