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Why Birthright Citizenship Is a Legislative Matter—Not Judicial or Executive

By Michael Taylor | ThaWilsonBlock Magazine The question of who qualifies for American citizenship is not just a moral or political debate — it is a constitutional one. For over a century, courts and executive agencies have applied birthright citizenship in a way that defies the intent of the 14th Amendment and undermines Congress’s constitutional authority. This practice, particularly as it applies to children born to undocumented immigrants, raises a serious challenge: > Can individuals derive irrevocable constitutional benefits from ongoing unlawful presence? And if not, why has the judiciary allowed it? This question strikes at the heart of the rule of law. The answer lies in decades of misinterpretation, judicial drift, and administrative neglect. The issue is not emotional. It is structural. And it belongs squarely with Congress, not the courts or the White House. --- 🔎 The 14th Amendment’s Soft Spot: Jurisdiction The 14th Amendment states: > “All persons born ...

Stir Crazy Produces Dirty White’s Most Passionate Work “Melodies of Redemption” (Album Review)

Mount Clemens, Michigan emcee/DJ Dirty White teaming up with Majik Ninja Entertainment in-house producer Stir Crazy for his 3rd full-length studio LP. Returning after an 11-year absence in the summer of 2020 off the strength of his debut album Authenticated, he would later prelude the sophomore effort The Rebuilding of a Broken Soul a year & ago by putting out a debut EP Dirty White’s the Name! ahead of The Rebuilding of a Broken Soul itself seeing the light of day this past spring. Over 6 months later, Dirty White’s continuing to put in work starting the final quarter of 2024 by at least unleashing the Melodies of Redemption.

The “Evolution” intro tells his story from writing his first rhymes & performing a local talent show in 1992 to him walking away from it all for over a decade & his eventual return inspired by a conversation with the King of Rock himself forming his backing band the High Life Social Club consisting of drummer Jamie Brady alongside turntablists DJ Nano2hype & DJ Bet whereas the rock/boom bap hybrid “I Feel Alive (MFKA)” talking about doing whatever it takes to survive. “Ay Yo” stays on the rap rock tip clarifying he does this to make life better just before the bluesy “True Colors” seeing those for who they really are.

After the spoken word “Memories of the Mitten” interlude, “Summertime in Michigan” profoundly reminisce is on spending hottest & brightest of the 4 temperate seasons in his home state leading into “Night Terrors” giving off somewhat of a metal vibe instrumentally to talk about every memory of his coming alive whenever he closes his eyes trying to sleep. “Elevated” comes through with a passionate ballad calling to take him higher easing his pain with every day that passes by & after the “Albuquerque Clean” skit, “All Day” goes rap rock again feeling like he’s been resurrected.

“Dirty Laundry” starts the last leg of the LP throwing it back with an old school beat venting that he’s sick of people throwing stones if they live in glasses houses, having their music criticized when they’re listening to artists who’re less more talented than he is & the constant complaining while the final song “Weathered” has this country rap flare talking about living free & never tethered. The “Dear Anita” properly sends things off with an outro remembering his sister, who’s passing in 2020 made him a better artist.

Dirty White’s been referring to Melodies of Redemption as the Mona Lisa of his discography & if you really digest it, it’s abundantly clear he spent the last 10 months giving it everything he has. His real, authentically emotional, soulful, uplifting, educational, inspiring, sobering & relatable performances matched with Stir Crazy’s electric production fusing hip hop & boom bap with other genres such as blues, rock, reggae, country & metal music makes for the wildest ride with the moral of the story being to not give up & keep pushing towards their dreams.

Score: 8/10

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