Unmasking Injustice: The Case of Devon T. White How a Pasadena Courtroom Became the Epicenter of Alleged Constitutional Violations and Human Rights Abuses The Case at a Glance Defendant: Devon T. White Case Number: GA101707-01 Court: Superior Court of Los Angeles County, Pasadena Courthouse Presiding Judge: Michael D. Carter Deputy District Attorney: David Ayvazian Public Defender: Vito Curso What should have been a straightforward exercise in justice has evolved into a troubling example of alleged constitutional violations, professional misconduct, and human rights abuses—raising serious questions about the integrity of the very systems designed to protect us. A Disturbing Allegation of Conspiracy In a deeply concerning turn, it is alleged that Judge Michael D. Carter, Deputy District Attorney David Ayvazian, and Public Defender Vito Curso conspired to sustain an unlawful conviction and imprisonment of Devon T. White. This trio, by allegedly colluding to maintain a void ju...
Rigz is a 30 year old MC from Rochester, New York who came up as a member of Da Cloth. He eventually broke out solo in 2017 off his debut EP Calculated & then the debut mixtape I Got Samples, which was followed up with a sequel tape & then his 2nd EP A Piece of the Action. However, Rigz’ popularity began to grow in 2019 off his Chup-produced 3rd mixtape Roach Gutta Slums & then the Big Ghost Ltd. produced collab effort with fellow Cloth member Mooch called The Only Way Out. Then he brought in Futurewave to produce his full-length debut Substance Abuse to universal acclaim & now after coming fresh off the sophomore effort Wake Upsthat came out over the summer, DJ Muggs is coming in the picture to produce Rigz’ highly anticipated 3rd album.
After the “Gold Standard” intro, the title track with Mooch sets off the whole album by talking about how all they need is a brick over a morbid instrumental whereas “Every Season” with Rob Gates finds the pair on some spectral boom bap shit going at those who’re only tough in their heads. “Supreme” weaves in some keyboards & dusty drums talking about keeping 10 toes down just before MeyhemLauren tags along for gritty drug dealer’s anthem “Cook Off”. Meanwhile on “What We Got”, we have Rigz on top of a beat kin to Wu-Tang Forever era RZA just giving the listeners who he is leading into the Rome Streetz-assisted “Heads on the Wall” talking about keeping their foots on cats’ necks on top of some luxurious piano chords & sputtering drums.
Mooch returns for the bare soul sample-laced “Where Ya Soul At?” speaking on turning the streets to their home, but then “Fool’s Gold” works in an enticing vocal loop going into battle rap territory. “24 Karats” goes back into drumless turf expressing his desire for a fortune while Big Twins comes into the picture for the forlorn “We Want In” talking about riding for their respective cliques.
The guitars on “Eastside Blues” are a nice change of pace sonically reminding that you can’t change where you came from & they carry their way over to “Crack the Code”, where Times Change jumps in to talk about how masterful they are. After the “Balance” interlude, the final “Never Met a Real Gangsta” with M.A.V. sees the 2 on top of some strings telling listeners all the G’s they know wound up not wanting be involved with crime anymore & then “The Culture” ends it with a spoken word piece.
It’s been a long time coming & I’m glad it finally came because this would be an excellent entry point for those who’re aren’t already familiar with Rigz or Da Cloth as a whole really. He continues to reveal himself as the sharpest lyricist of the crew even though I got love for all the members & Muggs’ production is as equally superb as Futurewave’s was on Substance Abuse a little over a year back.
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