By Michael Taylor | ThaWilsonBlock Magazine The question of who qualifies for American citizenship is not just a moral or political debate — it is a constitutional one. For over a century, courts and executive agencies have applied birthright citizenship in a way that defies the intent of the 14th Amendment and undermines Congress’s constitutional authority. This practice, particularly as it applies to children born to undocumented immigrants, raises a serious challenge: > Can individuals derive irrevocable constitutional benefits from ongoing unlawful presence? And if not, why has the judiciary allowed it? This question strikes at the heart of the rule of law. The answer lies in decades of misinterpretation, judicial drift, and administrative neglect. The issue is not emotional. It is structural. And it belongs squarely with Congress, not the courts or the White House. --- 🔎 The 14th Amendment’s Soft Spot: Jurisdiction The 14th Amendment states: > “All persons born ...
The Brazy Bunch – “Written n Blood” (Album Review)
The Brazy Bunch is a duo from Omaha, Nebraska consisting of A-Wax & King Iso. We’ve heard them a couple times throughout the year with songs like “At All” by Taebo the Truth or even “Bag Up” & “Blemish” off of A-Wax’s latest solo projects but after a small debacle revolving around the pair’s full-length debut Written n Blood getting pulled within hours of it’s initial release over the spring due to proper procedures not being followed by Iso’s current contract with Strange Music, they managed to work everything out with Travis O’Guin & officially drop it under the It Goes Up Entertainment subsidiary of the renown Kansas City label.
The acoustic/trap-tinged title track opens things up about how it’s their lives whereas “Ran Up” works in some sirens to speak on being chased by the cops. “Helpless” is a guitar ballad saying that money multiplied their problems just before the spacious materialistic ode “Slimy”.
Meanwhile on “Spain”, we have The Brazy Bunch somberly talking about revisiting the past even though it’s hurtful leading into them telling motherfuckers to get out of their feelings for the misty “Mad For”. The pianos on “Go Brazy” are pretty cool as they come through with a riot starter, but then “Measure It” serves as an ominous coke pusher’s theme surprisingly.
“Tears Dry” has a minimal beat going on about their bitches try’na fix what isn’t broken while “Time” is a much more downtrodden cut detailing going from their harder days to where they are now. “Flooded” continues the darker vibes saying they can’t scrub the blood on their hands whereas “Corrode” is an atmospheric cut about being paranoid that everyone is with the feds.
The keyboard passages on “So Strange” fit well given that they’re telling us that fame came with a cost leading into “Omaha”, which is a decent lil homage to their hometown. The song “Trip” is a cloud rap banger about never wishing jail on their brothers while the penultimate track “Fuck It Up” atmospherically details getting these bitches to trust them again. “Packin’” finally ends things with a foreboding theme about running up checks.
If you’re expecting more of that World War Me shit, then you’re gonna be disappointed. However, I think this is a solid debut nonetheless. King Iso’s production goes into more of a mainstream sound than he did on the last album & the chemistry with A-Wax is pretty unique as well.
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